Here's how bad it's gotten betwixt Mr. Cent and Shaniqua -- the judge ruled when their kid Marquise goes back and forth between the two, the hand sour must occur at a police
Monday 8 September 2008
50 Cent at Court -- Hoes Before Woes
50 Cent had "hoes" on the brain extraneous Long Island court, not the restraining order against him that was simply extended -- an order of auspices telling him to stay the hell away from Shaniqua Tompkins.
Here's how bad it's gotten betwixt Mr. Cent and Shaniqua -- the judge ruled when their kid Marquise goes back and forth between the two, the hand sour must occur at a police
Here's how bad it's gotten betwixt Mr. Cent and Shaniqua -- the judge ruled when their kid Marquise goes back and forth between the two, the hand sour must occur at a police
Tuesday 19 August 2008
Bromheads Jacket Reveal New Tour Dates
Bromheads Jacket make their return succeeding month, with a new album and tour dates.
The Sheffield three-piece release the follow-up to their 2006 debut 'Dits From The Commuter Belt' on September 29th via Marquis Cha Cha. A single - 'Speaker Box' - testament then follow in October.
The tour starts before the release on September twenty-eighth and will continue to run until October 21st.
September Tour Dates:
28 - Brighton Engine Room
29 - Oxford Academy
30 - Portsmouth Wedgewood Rooms
October Tour Dates:
1 - Southampton Orange Rooms
2 - Kingston Works
3 - Hitchin Remix
4 - Sheffield Foundry
5 - Wakefield Escobar
6 - Nottingham Stealth
8 - Manchester Academy 3
9 - Bristol Cooler
10 - Winchester Tower Arts Centre
11 - Barnstaple Inn on the Square
12 - Exeter Cavern
13 - London King's College
15 - Stoke Sugarmill
16 - Leicester Charlotte
17 - Leeds Cockpit
18 - York Fibbers
19 - Aberdeen Moshulu
20 - Glasgow King Tuts
21 - Sunderland Independent
More info
Saturday 9 August 2008
Olivia Byington
Artist: Olivia Byington
Genre(s):
Jazz
Pop
Discography:
Cancao Do Amor Demais: Canta..
Year: 2003
Tracks: 13
Musica
Year: 1984
Tracks: 10
Corra O Risco
Year: 1978
Tracks: 11
A Dama Do Encantado
Year:
Tracks: 20
OlÃvia Byington is a praised and awarded Brazilian singer wHO has worked with such artists as Tom Jobim, Silvio Rodriguez, Djavan, Clara Sverner, Wagner Tiso, Chico Buarque, TurÃbio Santos, Radamés Gnattali, João Carlos Assis Brasil, Paulo Moura, and Egberto Gismonti. Her expressive discography includes A Dama do Encantado, where she sings the repertoire of Aracy de Ameida, one of the charles Herbert Best interpreters of Noel Rosa's creations. She studied pianissimo, fiddle, and graeco-Roman guitar in her childhood. In 1977 she formed the mathematical group Antena Coletiva with Jacques Morelenbaum. She recorded her low album in the side by side yr, Corra O Risco (Continental). In 1979, Byington was appointed the charles Herbert Best vocalizer of the '70s by critics. She became comfortably known by acting aboard A Barca do Sol; later she wasinvited to do work with Tom Jobim, Wagner Tiso, Chico Buarque, TurÃbio Santos, Radamés Gnattali, João Carlos Assis Brasil, Paulo Moura, and Egberto Gismonti. In 1981 she was invited to perform in Cuba by Chico Buarque. Byington recorded her third album (Identidad) on the isle the following year, invited by Silvio Rodriguez. In 1983 she recorded the soundtrack for the picture Santa Maria de Belem Viver um Grande Amor with Djavan and Tom Jobim. In the adjacent year, together with Paulo Moura, Clara Sverner, and TurÃbio Santos, she recorded Encontro (Kuarup), fetching the Chiquinha Gonzaga trophy. In 1990 she toured Brazil together with João Carlos Assis Brasil. Byington continued to perform and record regularly in solo or in meetings with illustrious artists, touring Portugal and Italy in 1995.
Tuesday 1 July 2008
Golana
Artist: Golana
Genre(s):
Ambient
New Age
Discography:
Lone Pine Canyon
Year: 2004
Tracks: 11
Moon Of First Snow
Year: 2002
Tracks: 12
Feather On The Wind
Year: 2000
Tracks: 11
Walk Between Worlds
Year: 1999
Tracks: 10
Path To The Heart
Year: 1999
Tracks: 9
Native American flutist Golaná was natural Scott Cunningham and raised as an Anglo-American. He was first gear attracted to euphony through christian church hymns and began four days of forte-piano lessons at ashcan School, followed by four age of trumpet in schoolhouse bands; he began playacting guitar at 15. He gradational from San Diego State University with a B.S. in Information Systems Management and got his master's degree in Systems Management from U.S.C. After a bodied life history, he started his own data processor software program consulting line in the mid-'80s. At the same time, having recovered from dose and alcohol colony, he embarked on a spiritual search that lED him to study Native American culture. His interest was given greater drift when an auntie told him that his great-great-grandmother was a Cherokee, making him sixteenth part Native American. Turning to the flute, he began performing a Native American style of new eld music, also influenced by '70s common people and rock. In a Cherokee ceremony, he was christened Golaná, which means predate. Responding to inquiries about his euphony, he began issue it on records, beginning with Track to the Heart and chronic with Walk Between Worlds and 2000's Feather on the Wind.
Wednesday 25 June 2008
Lil Wayne Faces New Lawsuit In Bentley Row
Rapper LIL WAYNE has been hit with yet another lawsuit after reportedly still failing to pay for work carried out on his custom Bentley in 2005.
The Lollipop hitmaker - real name Dwayne Carter Jr. - is already being sued for breach of contract by California car customiser LeMarck deAndre, after allegedly reneging on a deal to cover costs totalling $80,000 (GBP40,000) for modifying his 1999 Bentley Arnage.
In the original lawsuit, filed in the Superior Court of California in December (07), deAndre claimed he initially received a payment of $78,507 (GBP39,253) from Carter in August 2006 - 10 months after the invoice was originally due.
The late payment broke their agreement and deAndre cancelled the job altogether.
But deAndre has now filed another suit against Lil Wayne for a further $123,800 (GBP61,900) in damages.
And he blames the rapper's "financial illiteracy" for the blunder.
He says, "My direct observation and experience with Dwayne M. Carter's financial and personal irresponsibility over the years has taught and demonstrated to me that he has become the 'new symbol of financial illiteracy and slavery in/of the 21st century' and this is unequivocally not fiction nor is it a misunderstanding.
"For a little over five years, I have been involved with the consistent and perpetual business behavioural illustrations of Dwayne M. Carter's high-level of financial illiteracy, lack of liquidity, leveraged acquisition liability accumulation and below zero net-worth; as well as lack of business communication, character, and integrity - all learned behaviours - and the primary reasons for non-payment."
The Lollipop hitmaker - real name Dwayne Carter Jr. - is already being sued for breach of contract by California car customiser LeMarck deAndre, after allegedly reneging on a deal to cover costs totalling $80,000 (GBP40,000) for modifying his 1999 Bentley Arnage.
In the original lawsuit, filed in the Superior Court of California in December (07), deAndre claimed he initially received a payment of $78,507 (GBP39,253) from Carter in August 2006 - 10 months after the invoice was originally due.
The late payment broke their agreement and deAndre cancelled the job altogether.
But deAndre has now filed another suit against Lil Wayne for a further $123,800 (GBP61,900) in damages.
And he blames the rapper's "financial illiteracy" for the blunder.
He says, "My direct observation and experience with Dwayne M. Carter's financial and personal irresponsibility over the years has taught and demonstrated to me that he has become the 'new symbol of financial illiteracy and slavery in/of the 21st century' and this is unequivocally not fiction nor is it a misunderstanding.
"For a little over five years, I have been involved with the consistent and perpetual business behavioural illustrations of Dwayne M. Carter's high-level of financial illiteracy, lack of liquidity, leveraged acquisition liability accumulation and below zero net-worth; as well as lack of business communication, character, and integrity - all learned behaviours - and the primary reasons for non-payment."
Monday 16 June 2008
Sludge
Artist: Sludge
Genre(s):
Metal
Discography:
Scarecrow Messiah
Year:
Tracks: 8
Glasvegas preview debut album in Oxford
Friday 13 June 2008
Shakira shakes it at charity event (+pics)
A lineup of Latin mega-stars including Shakira, Ricky Martin and Alejandro Sanz performed simultaneously on stages in Buenos Aires and Mexico City over the weekend, raising awareness for the needs of poor children in Latin America.
Outspoken Colombian rocker Juanes, one of the most anticipated performers at Saturday's event, was absent due to problems with his plane.
Organised by the Fundacion Alas (Latin America in Solidarity Action), the concerts, which have been widely referred to as the Latin American version of 2005's Live 8 anti-poverty concerts, brought together more than 380,000 people in the Mexican capital's Zocalo plaza and the riverside Costanera Sur in Buenos Aires.
Mexican magnate Carlos Slim and Howard Buffett, son of billionaire Warren Buffett, donated $200 million to combat poverty in Latin America.
In Buenos Aires, the eight-hour show took off with a performance by Mexican bombshell Paulina Rubio. At dusk, as the moon rose over the River Plate, Uruguayan singer/songwriter Jorge Drexler performed his Oscar-winning song Al Otro Lado del Rio, from The Motorcycle Diaries.
Rockers Fito Paez and former Soda Stereo frontman Gustavo Cerati came out for the most magical moment of the night, together singing Cerati's hit Crimen and Paez's anthem Ciudad de Pobres Corazones.
At the end of the show, Alas founder Shakira took the stage with Sanz for their chart-topping duet La Tortura.
Shakira also perfumed with Mercedes Sosa, the popular Argentine who is an emblematic figure of Latin American social commitment.
Shakira closed the concert with Cerati, singing Soda Stereo's spine-tingling homage to Buenos Aires, En la Ciudad de la Furia.
In Mexico City, David Bisbal started a marathon show for the thousands in the city's historical center who were undeterred by day-long rain. Hosted by Miguel Bose, co-founder of Alas, the concert featured, among others, Mexican popular heroes Tigres del Norte, Timbariche, Ricardo Montaner, Babasonicos, Chayanne, Emmanuel and Aleks Syntek.
Martin surprised the audience by singing his crossover hit Livin' la Vida Loca in English, ostensibly to take awareness of the concert beyond Spanish-speaking borders.
Mexico's classic rockers Mana performed their recent hit Labios Compartidos, followed by the evocative Donde Jugaran los Ninos (Where will the Children Play).
"It's time that the politicians stop losing time arguing about unimportant issues and that they focus on the children," Mana singer Fher Olvera told the crowd.
"Our attitude is going to force them to do it."
However, other than some artists' declarations and short messages shown on the screens during the show (32 million children in the region live on less than a dollar a day, according to the foundation), there was little information available to demonstrate how Alas and its artist members were working directly to improve the quality of life for Latin American youth.
But the excitement in Mexico continued with the appearance of Juan Luis Guerra, who appropriately for the day, performed Ojala que Llueva Cafe.
Just after midnight, Bose sang a duet with Ana Torroja of Mecano fame.
His set was followed by a spectacular finale with the participants reuniting on the Mexico City stage to sing the chorus to his hit Te Amare.
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